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Panasonic Lumix DMC-FX580 with touchscreen: a deal and a touchy digital camera too!

Panasonic’s newest slim and stylish touch-screen digital camera, the Panasonic Lumix DMC-FX580 (the successor to DMC-FX500), features 12.1-megapixel resolution, 25mm ultra-wide-angle LEICA DC lens with F2.8 brightness, 5x optical zoom, large 3-inch touch sensitive LCD screen and newly developed Venus Engine V processor that includes twin CPUs to boast approximately 2.4x processing capability.

The Panasonic Lumix DMC-FX580 may look like Just Another Ultra-Compact Camera, but it has two features that most cameras in its class do not.
The first is a 3-inch touchscreen LCD display.
While many camera manufacturers have touchscreen cameras, the FX580 is somewhat unique in that it doesn’t force you to use the touchscreen for everything — there are “regular” controls too.

Panasonic’s Lumix DMC-FX580 features:

• 12.1 effective megapixel CCD

• 3-inch LCD screen display (230,000 pixels)
• 25mm ultra-wide-angle LEICA DC lens with F2.8 brightness and 5x optical zoom
• New touch-screen interface and conventional operation system with the cursor key for intuitive control
• Panasonic’s new advanced iA (Intelligent Auto) mode incorporates a system of technologies, including MEGA O.I.S., Intelligent ISO Control, Face Detection, Face Recognition, AF Tracking, Intelligent Exposure and Intelligent Scene Selection
• Panasonic’s newly developed Venus Engine V processor
• High sensitivity up to ISO 6400
• Records High Definition (1280 x 720p) motion images at 30 fps
• New Panorama Assist scene mode allowing users to shoot a number of consistent photos, either vertically or horizontally, by aligning them according to a guide that overlaps the screen
• Bundled PanoramaMaker software

The DMC-FX580’s touch-screen is a hybrid operation system combining the new touch-screen interface and a conventional operation system with the cursor key for intuitive control, and it comes in an aluminum body in silver and black colors.

The Panasonic’s Lumix DMC-FX580is available now with huge savings for $209.95 - that’s 40% less (you save $140.00)!

Right from PMA2010, Pentax Optio I-10: old-fashioned look plus hi-tech features, sleek and compact!

The Pentax Optio I10 is an old-fashioned & retro camera from Pentax just announced at PMA 2010.
The Pentax Optio I10 comes with a 12.1 megapixel CCD sensor and a 5x optical zoom. This old-Fashion Point-and-shoot camera has up to 6400 ISO sensitivity, gyro-based image stabilizer and features an HD Video recording in 1280×720 resolutions. Integrated with a 2.7-inch LCD display, a 26.7MB internal memory, and expandable with SD/SDHC memory card. Other features a Pet Detection mode and Face Detection. Measuring 100.5×65×28 mm and weight 153g. The Pentax Optio I-10 is available in white and black colors.

Retro look but plenty of features!

SLR-inspired design
The nostalgic, eye-catching design of the Optio I-10 resembles classic film SLR cameras. Pentax positioned the flash unit and speaker in the upper mid-section of the camera body to create this original SLR-shaped body, and the leatherette texture and classic 20th century Pentax logo add elegance to the camera design.

Optical 5x wide angle to telephoto zoom lens
The Optio I-10 features an optical 5x zoom lens that covers focal lengths from 5.1mm to 25.5mm (equivalent in the 35mm format to approximately 28mm wide angle to 140mm telephoto). This wide zoom range allows the Optio I-10 to capture a wide variety of subjects and scenes from breathtaking landscapes, majestic architecture and group shots in a confined space, to tightly cropped photos shot from a distance. An Intelligent Zoom function allows even tighter zoom on subjects and extends the digital zoom range to approximately 31.3x.

12.1 effective megapixels for exceptional image quality
With 12.1 effective megapixels, a high-performance imaging engine, and the camera’s high performance Pentax zoom lens, the Optio I-10 delivers brilliant, high quality images with well-defined details. Even when enlarged, the images deliver sharp, high-resolution prints with edge-to-edge sharpness.

Improved Face Detection recognizes dogs and cats
The Optio I-10 features an improved Face Detection AF & AE function that detects up to 32 faces in the image field and captures them all in sharp focus with optimal exposure in just 0.03 seconds. This upgraded Face Detection technology now allows users to adjust the camera to detect dogs and cats. Users may program the camera to automatically release the shutter the moment the subject faces the camera, which is especially helpful for pet photography.

The Pentax Optio I10 sports triple anti-shake protection

CCD-shift-type SR mechanism
The Optio I-10 incorporates an advanced CCD-shift-type Shake Reduction (SR) mechanism that compensates for camera shake by shifting the camera’s image sensor (CCD) horizontally and vertically in relation to the amount of shake detected by the high-accuracy gyro sensor. This offers outstanding camera-shake compensation equivalent to up to 2.5 shutter steps even when shooting telephoto or in lowlight settings such as sunsets or indoors.

The Pentax Optio I10 is available now for US $274.36.

Looking for a smart choice and now a bargain too? Look no further than a Pentax K-7

The Pentax K-7 is the new jewel in the company’s crown, with a long list of specs well beyond any previous Pentax DSLR. Existing Pentax users will be pleased to finally see a much-wanted pro-level upgrade, whereas those familiar with other manufacturers’ systems may also be drawn in thanks to an all-encompassing features list.

The Pentax K-7 has been built from the ground up by Pentax and, unlike the K20D and K10D which had Samsung GX20 and GX10 equivalents, is a standalone venture. The build quality is a key sell; ruggedly made, but following Pentax’s ultimately ‘classic’ design, the body is made from a magnesium alloy that’s both dust and weather-sealed at 77 points. Shooting in sand, getting splashed with rain or other treacherous conditions need not be a bother and, despite this upgrade, the whole camera is even marginally smaller and lighter than the previous K20D. The featured 18-55mm kit lens follows suit, as does the optional D-BG4 battery grip (which offers both AA and li-ion battery options) to complete a fully weather-and-dust-sealed unit in its entirety.

A high-resolution 14.6MP CMOS sensor is at the heart of the K-7’s body, which whilst not a step up over the K20D in terms of resolution, does double the number of output channels. The result? More information can speed through the K-7’s buffer for faster continuous shooting than ever before – a firm 5.2 frames per second sees the K20D’s 3fps barrier officially trounced; ideal for those looking to shoot sports or action photography.

Unlike its key competitors – namely the Nikon D300 and Canon 50D – the Pentax K-7, like many Pentax DSLRs before it, incorporates Shake Reduction (SR) into the camera body itself. Crucially this means even old K-mount bayonet-fit lenses can benefit from this function, and new lenses will not cost as much as their (hypothetical) stabilised counterparts.

A notable – and very much ‘flavour of 2009’ – feature is the inclusion of a 720p HD movie mode, plus the inclusion of a superior 1536×1024 capture that can be output at 1080i, though this is not ‘Full HD’ capture. Mono sound is recorded from the camera’s body, or there is the option to use the 3.5mm jack socket to plug in a microphone and record in stereo. Aperture can be set as fixed via the camera body for recording or there’s an automatic variable aperture mode, which adjusts the aperture according to the amount of light available throughout recording. Whilst in-camera shake reduction can also be used to full effect, it is not possible to autofocus whilst recording – though it is entirely plausible this will be possible in the future, if the clever bods at Pentax fix up the necessary firmware.

In keeping up with the competition, the Pentax K-7 adorns a 920,000 dot high resolution 3in LCD screen. Whilst it’s not a tilt and swivel screen as seem to be creeping into a number of camera bodies of late, it does auto-rotate images on the screen itself and, in keeping with orientation, has a virtual horizon level too – a really nice touch when in live view mode.

With customisable white balance settings, a shutter speed up to 1/8000th second, 77 segment metering system, the new SAFOX VIII+ 11-point AF system with AF illuminator lamp, in-camera HDR, and D-Range shadow and highlight adjustment options, the features list is certainly bulging. The K-7’s viewfinder has the much-sought after 100% field of view too, ensuring what you see is exactly what you’ll capture.

Now it’s your choice: which bargain are you going to take?
It’s either a Pentax K-7 with DA 18-55mm f/3.5-5.6 AL Weather Resistant Lens bundle priced at US $1,104.99 (saving up to 47% over regular price, that’s $979.11!) or the body-only Pentax K-7 priced at $979.00 that’s $320.95 (-25%)!

Canon EOS 550D - Rebel T2i announced! First impressions

Canon updated the mid-range section of the DSLR cameras with the new Canon EOS Rebel T2i/550D.
Building on the popularity of the EOS 500D, the EOS 550D is designed to give you more access to video as well as Eye-Fi compatibility. Priced at US $ 899.99 with the standard 18-55mm f/3.5-5.6 IS lens, the EOS 550D will be available from the 24th February onwards.

There are a few basic upgrades on the Canon EOS Rebel T2i/550D. Notably is the ISO sensitivity top limit being raised to ISO6400 although you can still expand that to ISO12800 if you wish. An interesting point on this is that you can now cap the highest ISO point while in AutoISO, so it won’t use ultra high settings to get a decent shutter speed.

The new screen resolution should help with the new video functions of the Canon EOS Rebel T2i/550D. It has a Full HD recording facility of 1080p with manual control as well as selectable frame rates. You can choose from 30, 25 and 24fps at full HD quality while pushing it up to 60 or 50fps will reduce the quality to 720p. Alternatively, putting the camera in program mode means you don’t have to worry about it. There’s also a Movie Crop function that reduces the resolution to a 640×480 area but means you get a magnification of 7x the focal length of the lens.

The metering system now matches the one found on the popular Canon EOS 7D using the new iFCL metering with 63-zone dual-layer sensor. IFCL stands for intelligent Focus, Colour and Luminance metering and it’s this information that the new system uses to meter with. It works in conjunction with the focus points to determine the distance from relative subjects and weights the exposure according to the algorithm results.

Order now, the Canon EOS Rebel T2i/550D is priced at $799.99.

Kodak announces the new Kodak Z981 Superzoom: 14mp, 26X optical zoom along with PASM complete image control, RAW and vertical grip

Kodak is back with the brand new Kodak Z981 superzoom compact digital camera one year after the announcement of the Z980 super-zoom at CES 2009.

The model name “advances” by just +1, but the camera actually jumps to a 14mp sensor and 26X zoom ratio, up from 12mp and 24X.

The lens is also Schneider-branded, f2.6-f5, and has a 26-676mm equivalent focal range, enough for most photo-amateurs, along with image stabilization.

The Kodak Z981 sports a really useful vertical shutter button and a detachable vertical (non-battery) grip.

On the plus side, the camera has RAW capture and PASM which is short for Program, Aperture and Shutter priority, and Manual exposure: that means that Pro-oriented photographers will get their teeth on Pro-features and a less than 0.2 second click-to-capture specification.

Other features include a huge 3-inch display and (as required by 2010 standards!) one-touch upload to popular web-services (flickr, youtube, facebook, etc).

The Kodak Z981 takes four AA batteries, and Kodak actually includes four of the pre-charged (presumably LSD) types. This is a nice touch for AA cameras.

The Kodak Z981 is available for pre-order now at Amazon for $330.

PMA 2010 is forthcoming: Fujifilm introduces the new FinePix HS10 bridge camera featuring BSI sensor and a gorgeous 30x zoom

The Fujifilm FinePix HS10 is a long-zoom digital camera featuring a backside illuminated CMOS image sensor.

I must admit I’m a long time Fuji Finepix fan: I’m still in love with my S9600 bridge camera, which is two generation behind this Fujifilm FinePix HS10!

The Fujifilm FinePix HS10 is based around a 10.3 effective megapixel,1/2.3-inch back-side illuminated CMOS image sensor coupled to a Fujinon-branded 30x optical zoom lens. Maximum image resolution is 3,648 x 2,736 pixels in the camera’s native 4:3 aspect ratio, and both 3:2 and 16:9 aspect ratio modes are also available. The HS10’s lens offers actual focal lengths ranging from 4.2 to 126.0mm, equivalent to 24 to 720mm on a 35mm camera - a generous wide angle to a powerful telephoto. The Fuji HS10 has a two-step aperture, offering either F2.8 or F11.0 at wide angle, and either F5.6 or F11 at telephoto. Minimum focusing distance is ordinarily 1.6 feet at wide angle or 16.4 feet at telephoto, but drops to just 0.3 feet in Macro mode at wide angle, or 6.5 feet at telephoto. A Super Macro mode locks the lens at an unspecified focal length, but allows focusing as close as 0.4 inches

There’s no true optical viewfinder on this model, but as you’ expect on a long-zoom digicam like this, there’s a 0.2-inch, 200,000 dot FLCD electronic viewfinder which takes its place. There’s also a 3.0-inch tilting LCD display with 230,000 dot resolution. Both EVF and LCD provides 97% frame coverage. The HS10 also includes a sensor that detects when the user brings their eye towards or away from the viewfinder, then automatically switches between the EVF and LCD as appropriate!

The sensor in the Fujifilm FinePix HS10 yields an effective resolution of 10.3 megapixels, and sits behind a Fujinon-branded 30x optical zoom lens with a generous 24mm wide angle. The Fujifilm HS10 includes both an electronic viewfinder and a 3.0-inch LCD panel. Images are stored on SD or SDHC cards, or in 45MB of built in memory.

Again, as the old S9600, power for the Fuji HS10comes courtesy of four AA batteries, with alkaline disposables included in the product bundle!
This means that you’ll never run out of power thanks to wide availability of AA batteries worldwide!

The Fujifilm FinePix HS10 offers USB 2.0 High Speed data connectivity, as well as both high-definition Mini HDMI and standard-definition NTSC / PAL composite video outputs.

Pre-order the Fujifilm FinePix HS10now for US $499.95 and get free shipping too!

Panasonic Lumix GF1: micro four third gear, great photographic power!

The Panasonic Lumix DMC-GF1 is the lastest member of the Micro Four Thirds family. But before Micro Four Thirds, there was Four Thirds. With Olympus having produced relatively small film SLRs since at least the early 1970s, it was probably no surprise that they would partner with Kodak to introduce the Four Thirds System standard (with its sub APS-C sized sensor) as they prepared to move into the digital age. The smaller sensor helped the company produce diminutive DSLRs that carried on the Olympus tradition.

Sensor resolution is 12.1 megapixels and there are full manual and auto controls, plus a palette of user-established settings that rival DSLRs in number and scope. You can shoot in RAW if you choose, or RAW/JPEG combinations, and there’s 1280×720 HD video in AVCHD Lite (which is more memory efficient than Motion JPEG) or Motion JPEG formats.

The GF1 is undoubtedly smaller than its big brothers, the G1 and GH1, but it’s not quite as tiny as Panasonic might lead you to believe. Measuring 119 x 71 x 36.3mm and weighing 285g without a lens attached, it’s just a little smaller and 50g lighter than the very similar Olympus E-P1 camera. Instead of a traditional DSLR hand-grip, the DMC-GF1 has a slightly raised vertical area on the front-right which isn’t big or pronounced enough to be of much assistance. The rubberized thumb-rest on the rear is a lot more useful.

Because of space considerations inherent in the Micro Four Thirds System, a 3.0 inch LCD monitor operating in Live View is the only means of image composition and framing for capture.

If you don’t want to use the LCD screen for composition, an optional electronic external viewfinder is also available, the Panasonic DMW-LVF1 (priced at $199.95), which slots into the external flash hotshoe on top of the camera. The GF1 can record 1280 x 720 high-definition video in the AVCHD Lite or Motion JPEG formats, and it can focus in just 0.3 seconds via its contrast auto-focusing system.

The camera uses SD/SDHC memory media, and Panasonic includes a battery charger/AC adapter, battery pack, body cap, AV cable, USB connection cable, AC cable, DC cable, shoulder strap and CD-ROM software with each camera.

The Panasonic Lumix DMC-GF1 is available in four colours, black, red, silver and white, either body only (£570) or in two different kits, one with the new LUMIX G 20mm/F1.7 ASPH pancake lens, and the other with the existing 14-45mm/F3.5-5.6 ASPH/MEGA O.I.S. zoom lens: starting from US $ 866,95!

Nikon D3000: a really simple DSLR, a great gift with super saving and limited-time free shipping!

The Nikon D3000 is an entry-level DSLR, but don’t let the term fool you. When you place the label “Entry Level” on a camera, it might call to mind a camera with no frills, limited uses, and little more to offer than an automatic shooting experience.

This has been disproved by the latest crop of cameras released in the past two years, and the D3000 continues to set the bar high for an entry-level camera.

This new generation of point-and-shoots and entry-level DSLRs not only push the boundary of low-light performance and mega resolutions, they give that power to a whole new audience of beginning photographers.

Not only do DSLRs offer you manual control over shooting, they give you the advantage of using different kinds of lenses. It’s important to remember when buying a DSLR that you’re also buying into a system of lenses, not just a camera. The power of having a DSLR is that you can place any of your old lenses onto a new camera body in the future.

Enter the Nikon D3000, a new entry-level DSLR with a 10.2 megapixel DX-format CCD APS-C image sensor, 11-point Autofocus system with 3D tracking (which comes on the higher-end D5000 and D90), Active D-Lighting and an AF-S DX NIKKOR 18-55mm f/3.5-5.6 VR lens for $599.

The Nikon D3000 feels and looks exactly like the other DSLRs from Nikon, and is only different from the D90 and D5000, both higher-end models, by a few tenths of an inch. The D3000 measures 5.0×3.8×2.6 inches while the D90 is 5.2×4.1×3.0 inches, though the D3000 weighs a bit less at 1 lb 1 oz, making the Nikon entry-level to prosumer DSLR models almost identical in shape and size as well as overall appearance.

First time DSLR users will enjoy the Guide Mode. It literally walked us through different shoot scenarios via the fixed 3″ LCD screen. An excellent tool, its step by step instructions allowed my niece to move from the operating booklet in no time.

The Nikon D3000 is paired with a Nikkor 18-55mm AF-S DX lens. It will operate with any Nikkor DX and AF-S lens.

Nikon makes it really simple with a thumb dial for tweaking aperture and shutter speed. Metering, focus modes, and exposure compensation are easily controlled via the menu. The D3000 does not shoot in video mode. This model easily shoots over three frames per second in continuous mode. The 3D tracking sensor operates quite well in low lighting.

Get the full Nikon D3000 10.2MP Digital SLR Camera with 18-55mm f/3.5-5.6G AF-S DX VR Nikkor Zoom Lens bundle for US $458.86 (You Save: $91.09 and that’s 17%!) now and enjoy a limited-time free-shipping!

Even though the Nikon D3000 is really simple to use, do you really want some great advice on using it?
Get the Nikon D3000 For Dummies!

Explore your camera’s creative options and learn to get great shots with your dSLR with this great book!

Get the Nikon D3000 For Dummies for US $ 19.79 (and save up to 34%!)!

Bigger memory, smaller price! SanDisk Ultra II SDHC 32GB Card and save up to 60%!

HD Camcorders, HD-enabled DSLRs and a lot more, when speed really matters, serious photographers choose SanDisk Ultra II SDHC 32GB Card.
So fast, you’ll never miss a shot. So rugged, environmental conditions are never a problem.

This SanDisk Ultra II SDHC 32GB Card card is perfect for advanced photographers who require high-performance cards to quickly shoot many high-resolution images.
It is ideal for photos of moving cars or trains, sporting events, sprinting animals or any other event that requires fast snapshot and recovery time.
In advanced cameras, these cards have been developed to save large image files to the card as quickly as possible so the camera will be ready to take the next picture.
SanDisk Ultra CompactFlash cards are fully compatible and interchangeable with all CompactFlash digital cameras and they also work with all SanDisk ImageMates and PC Card Adapters.

Get the SanDisk Ultra II SDHC 32GB Card now for US $ 86.00 (and save up to 60%!)

Canon PowerShot S90IS: a digital compact camera that’s a gift on its own class

The Canon S90IS employs a newly developed, 10-megapixel High Sensitivity System by combining a powerful CCD sensor and Canon’s DIGIC 4 Image Processor. Thanks to this technological advancement, the S90 is dramatically more sensitive than cameras with identical megapixel counts, and delivers spectacular images with minimal noise. Increased sensitivity demands a higher ISO speed, and the PowerShot S90 delivers with a new maximum setting of ISO 3,200. Blur and camera shake are notably reduced for the ultimate in sharpness and clarity.

In addition, a new Low Light mode lets you capture images in an astonishing range of conditions.
The Canon S90IS automatically adjusts the ISO speed from ISO 320 to ISO 12,800 in relation to ambient brightness, subject movement and camera shake.

The Canon S90IS’s tag price is somehow more than most point-and-shoots cost in this day and age.
But the amount of picture power this literally slips into your pocket is almost unbelievable: Outstanding low-light performance for a camera this size; a speedy lens; full control rings, plural; and yep, RAW.
It’s the soul of what makes the $500 behemoth G11 great, packaged in a true point-and-shoot.
You lose some power and some pro tools, like the swivel screen, a (shitty) viewfinder, faster burst shooting, hot shoe, some zoom and a custom mode or two, but you’re also shedding a ton of bulk, meaning you’ll actually take it everywhere.
And the best camera’s always the one you have with you - for me, that’s this camera, which just happens to be an excellent one all by itself.

Canon S90IS is available now for US $ 399.00!

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